In her writing session “Telling yourself: autobiography as research” (working title), Valentina Stepanova aims to prepare a nuanced concept of what it means to want to ‘grafein’ (write) ‘autos’ (self) and ‘bios’ (life). This autobiographical fact, which gives the possibility to act as a witness, is something she wants to focus on in the near future. What are the conditions, the triggers for wanting to describe one’s own life? Which ingredients play a role in making it ‘worth telling’? And what forms can that telling take today in a multi-layered world and reality? How does that small story of the self also relate to the great hinges of history?

Like her previous work, this research is eminently transdisciplinary and focuses on multiformity and multi-layeredness. Two major themes are central to this writing session. The first aspect is the role of horror and violence in the formation of a worldview. Secondly, the focus is on how symbols and artefacts are used in imagery and propaganda. The underlying violence and mendacity of the stories in which Stepanova’s youth is steeped are the guiding principles in an attempt to discover new forms of autobiographical narrativity.

Zoals haar vorige werk is dit onderzoek bij uitstek transdisciplinair en zet het veelvormigheid en veellagigheid centraal. Twee grote lijnen staan in deze schrijfsessie centraal. Een eerste aspect is de rol van gruwel en geweld in de vorming van een wereldbeeld. In tweede instantie ligt de focus op hoe symbolen en artefacten worden gebruikt in beeldvorming en propaganda. Het onderliggende geweld en de leugenachtigheid van de verhalen waarin Stepanova’s jeugd gedrenkt is, zijn de leidraad bij een poging om nieuwe vormen van autobiografische narrativiteit te ontdekken.