Sara Dziri

Biography

Sara Dziri creates a unique space in the current music landscape. Her open-minded approach to making, collecting and playing music attracts the attention of occasional fans and demanding connoisseurs, both at large summer festivals and in small local clubs.

With her broad artistic vision and specific convictions, Sara Dziri tells an unusual story to the sounds of electro, acid, trance, disco, dark wave and jazz. She doesn’t tell this story alone. For the release of her debut album Close To Home by Optimo Music, she developed a live act together with classical ney soloist Valentina Bellanova. She composed a performance soundtrack for choreographer Sidi Larbi Cherkaoui. In the heart of the Brussels underground, she co-founded intersectional platform Not Your Techno, to promote female queer POC artists inside and outside the club scene.

By building these bridges between styles, venues and audiences, Sara Dziri positions herself as a versatile, all-round electronic artist. With that, she increasingly fits into a line of pioneers such as Nicolas Jaar, Marie Davidson, Nils Frahm or Floating Points. Her sets for Boiler Room, Institut du Monde Arabe and Nuits Sonores had cemented her name in the higher DJ regions long ago. Today, she is at home as a resident in Fuse and at Kiosk and Tsugi radio. Soon, the Palestinian radio Alhara will be added, and a collaboration with Bozar in Brussels.

In residentie Black Hole

Black Hole is a music and dan­ce per­for­man­ce by DJ and sound artist Sara Dziri, who, together with dan­cer-cho­re­o­grap­her Yasmina Tayoub, explo­res the inter­sec­ti­ons of rave cul­tu­re and North-African tran­ce tra­di­ti­ons. Drawing from Sara’s research on tran­ce prac­ti­ces in Egypt and Tunisia, the per­for­man­ce invi­tes the audien­ce into an ima­gi­na­ry rave spa­ce bet­ween dark esca­pism and other­world­ly bliss.

During a work visit to Cairo (EG), Sara got inspi­red by the zār, an ancient hea­ling tran­ce tra­di­ti­on cen­te­red around women who do not fit into the con­ven­ti­o­nal mold and find com­mu­ni­ty with each other. A zār is led by women who, through sin­ging, dan­cing, and music, search for the ori­gin of some­o­ne’s strug­gle. Under the guid­an­ce of repe­ti­ti­ve music, they seek hea­ling together. She later went on a second work visit, this time in Tunis (TU), to learn more about other local tran­ce prac­ti­ces, such as stam­be­li and isawaya.

“Zar cults buf­fer the indi­vi­du­al cau­ght in dif­fi­cult struc­tu­ral con­di­ti­ons by cre­a­ting a com­mu­ni­ty with a sha­red expe­rien­ce of other­hood, par­ti­cu­lar­ly for the most vul­ne­ra­ble iden­ti­ties, tho­se rela­ted to gen­der and sexu­a­li­ty. Members of a zar com­mu­ni­ty buf­fer each other’s pains and mis­for­tu­nes through friends­hips, mutu­al sym­pa­thy, com­mu­nal dan­ce, enter­tain­ment, and con­ver­sa­ti­ons out­si­de the imme­di­a­te kin group.” – Hager El Hadid in Zar — Spirit, Possession, Music, and Healing Rituals in Egypt.

Sara saw strong res­sem­blan­ces with rave cul­tu­re: com­mu­ni­ty, hea­ling, and con­nec­ti­on through dan­ce and music, far from the eyes of socie­tal and poli­ti­cal con­dem­na­ti­on. With Black Hole she wants to high­light rave cul­tu­re and tran­ce tra­di­ti­ons as spa­ces of resis­tan­ce and connection.

project details